Watermarks of Light in Dark, 2020, drawing on cutting paper, Japanese paper, 3m.
The Edge, 2020, drawing, 38 x 56 cm.
I was inspired by watermarks in the book 'Shakespeare's Sonnet' which I read in the University of the Arts London's library and the traditional Japanese aesthetic that values dim light in the darkness. I have also found the quietness in the auditorium reflected light from the stage in the theatre.
Hall, 2018, lithography (ed. 4), image size 41 x 56 cm, paper size 56 x 76 cm.
The Imprint of Existence, 2020, paper sculpture, Japanese paper, 41 x 2.5 x 28-45 cm.
Hall J, 2020, etching (ed. 22), image size 36.3 x 12.5 cm, paper size 56 x 38 cm.
4T28, 2019, stone lithography (ed. 40), image size 34 x 25 cm, paper size 56 x 38 cm. Exhibition Proposal.
I aim to let the viewers see performers' perspectives, different scenes from the general audience's sight. I also intend to express the notion of anonymity, equivalency, and ambivalence.
Maurice Merleau-Ponty writes; We see the things themselves, the world is what we see (The Visible and the Invisible, 1948).
10C19, 2019, stone lithography (ed. 15), image size 34 x 25 cm, paper size 56 x 38 cm.
Exhibition Proposal.
4T28, 2019, stone lithography (ed. 40), image size 34 x 25 cm, paper size 56 x 38 cm.
10C19, 2019, stone lithography (ed. 15), image size 34 x 25 cm, paper size 56 x 38 cm.
The Auditorium (Dim Light) 2020, acrylic, 120 x 180 cm.
Dim Light in Darkness, 2020, Japanese woodcut print (ed. 6), image size 45.5 x 60.5 cm, paper size 56 x 76 cm.
The Flow of Time, 2019, photo-etching (ed. 100), image size 8 x 25 cm, paper size 19 x 33.3cm.
Silence, 2019, photopolymer (ed. 100), image size 25 x 15cm, paper size 33.3 x 24.2cm.
Absence, 2019, photopolymer (ed. 100), image size 22.6 x 17 cm, paper size 33.3 x 24.2 cm.